Joliet Junior College Their Dogs Come with Them & Womens Survival Essay Hi, my prof. recommend me to add the novel “Their Dogs Come with Them” in the last

Joliet Junior College Their Dogs Come with Them & Womens Survival Essay Hi, my prof. recommend me to add the novel “Their Dogs Come with Them” in the last point about women’s survival in the citySo could you please write it into the last argumentor you can try to include the female survival into the whole paper throughout point 1 2 3 Surname 1
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Research paper Based on Manhattan transfer and Sister Carrie.
ABSTRACT.
John Dos Passos seems to be rejected and neglected by both the academic and literacy
worlds. His work is highly criticized by not only the literary merit but also based on political
content. The thesis is performed with a bid to aid in elevating Dos to his unique place in the
ranks of well known and established American writers.
Progress is given to all his writings, especially by the constant theme of the desire for
individual freedom as well as survival for the fittest, as depicted by Charles Darwin. During his
early periods, he sought freedom, especially from the aliens’ artists of the community. Afterward,
he begins his journey for the search of freedom for the entire nation. The turning point comes at
a time when the Sacco-Vanzetti case got attention from the separated towers into the streets. The
management abuse of labor and the general war class becomes his subject matter in the entire
nation of the USA. The liberal critics applaud his efforts, and as a result, he endorses the New
Deal and the Roosevelt.
In the early fifties, Dos had wholly severed his interaction with the liberals. He feels that
apart from the material gains workers get, they are also oppressed by the big government,
supposed benefactors, and the entire big labor.
INTRODUCTION.
Critics, more so those on the ultra-liberal in their political philosophy during the 1930s
and 1940’s, there is a concern about Passo’s apparent changing his political beliefs, especially
shift from liberalism to conservatism. Currently, Dos is tantamount appalled by the power of
bureaucratic administration in American life. In his views, he considers a common man as solely
with exchanged masters. One may view him as an unstable political post. His partisan position in
politics shows that he has reformed, but the values beneath his political thinking have not yet
changed (Baker).
Dos Passos has fought in every ethnic group no matter its composition and theory,
bureaucratic, communistic, or simply capitalistic, that he feels oppress an individual. Henceforth,
he continues to fight for full individual freedom in a bid for one to consider oneself as fit without
oppressing or exploiting others.
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Dos put stress on the one’s sovereignty, which has taken different forms since his writing
carrier but his underlying motive remains unaltered. Initially, he goes through a kind of halfhearted stage of trying to discover individual independence in the alienation of the so-called
artist, then goes the extra mile to find one’s freedom in socialistic collectivism; and lastly, turns
towards a less or more nostalgic search for free enterprise.
The three soldiers were his first publication. In its stark and unsentimental treatment of
the citizen-soldiers set in the war’s madness, he sets a tone which is later emulated by various
writers. The story in the three soldiers depicts the unusual frankness they face in real life. The
facts on prostitution and drunkenness, the ugliness of the entire pretty men which are given the
authority as well as the total impacts of crushing discipline of an army on a sensitive soul.
At the end of Orient Express, Dos and his comrade sit mum smoking. The traveler thinks
of the difference between western and eastern civilization. His reflection is on the magnitude of
the world and that of the serenity with which it is viewed by the so-called easterners. The quiet
drowsiness of the east is confused with the frenzied madness of the west, especially where men
destroy themselves out of the struggle for elusive power and wealth. Passos poses a query on the
idiotic concept of living, in the name of glory, of love, of knowledge, and religion. He concludes
by saying that its more lasting, of more consequence, more subtle and more contagious than the
pox Columbus which is brought back from the new world.
His novel Manhattan transfer is received with high praise, especially from Sinclair Lewis.
The environment of New York is portrayed in all the vast garishness and vulgarity. It also shows
the difference and contrast between the indignant juxtaposition and the theme of the idealism of
the American Dream and its repudiation in reality. All in all, he concludes that New York is
characterized by high levels of crime, sex, and high finance. Jimmy Herf is the main center of
interest and human character in the novel. Being born into a wealthy family, he leaves his
business and becomes a reporter. He is a spectator of life but not a participant, and instead, he is
passive rather being active. He ends by divorcing his lover Ellen Thatcher. Jimmy seems to be a
representative of the heroes who find themselves on the outer part of the society, whereby they
are alienated from the community by their frustration, introspection, desiring, aestheticism, and
finding solace in a romantic primitivism.
In his writings, Dos majorly emphasizes the condemnation of the industrial society for its
emphasis on materialism and greed together with evil institutions such as the impersonal and
unfeeling cities and the army, which show less of individuality. Manhattan becomes the main
symbol of western industrial civilization. In contrast to Jimmy rises, Jake, who is a penniless
immigrant. Ellen thatcher emerges from poverty and obscurity to be the successful leading
actress and the branded darling of the entire New York City. Although her artistic successes and
money are attributed to her happiness in romantic love and therefore, her life becomes senseless
and worthless to her. One of her lovers being George Baldwin, who a businessman is rising in
the world to empty plenitude.
Another tragic character is Bud Korpenning, who is a mere upstate boy having murdered
his tyrannical father and later is defeated and commits suicide. Ideally, the novel exposes and
condemns the pretentiousness, the greed, and the drab conformity of a way of life.
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The egocentric characters that include, Fanshaw, Jimmy, and Martin Howe are also
autobiographical characters as well as exiles who value life by seeing but not doing. Besides, the
characters complain about society’s lack of sympathy and understanding for themselves. The
entire modern civilization is at its fault, and people are in a lonely life dreaming and unthinking
automaton.
The novel Sister Carrie by The Odore is one of the best considered excellent city novels
in the entire American pieces of literature it revolves around a young girl who moves to the big
city in a bid to realize her dreams. The writer focuses majorly on the primary instincts of human
beings and at the same time, exposes the challenges of the ordinary people, especially the social
classes between the poor and the noble family.
In the year 1889, Carrie goes to Chicago, intending to find a fortune in the big city. In
her search about the new life, she comes across Drout, who is a wealthy man and ultimately
raises her expectations and tries to create an image of what Chicago may look like. Carrie leaves
her home behind in search of happiness and fulfillment as well as a better life outside the city.
However, Drouet cautions her of amusements, the crowd, and the lights, which although might
be pleasing. After such entertainment now, Carrie feels excellent and enjoyable to be in Chicago
and thinks at the same time that she has better times than she had before.
However, the imaginary and the real meet her when she rents a small apartment and starts
living with her sister, who is lowly paid in her job. To bring everything in order makes Carrie
does anything to bridge the gap between the imaginary and the reality. His life costs her
materialistic behavior later in her life. The presence of the street continues for Carrie and never
stops wondering of where the people in cars were ending to and where they derive their
enjoyments.
Besides, her imaginations start trending slow and at some point, winds up at specific
locations, which are linked to enjoyment, looks, money, and clothes. The entire city becomes a
consumption state as Carrie changes her identity from a naïve and innocent lass to a most greedy
and powerful woman. She now becomes aware of her money and luxury. To equal the lasses she
comes across in the streets of Chicago, she yearns to look as they look, meaning to wear as they
usually dress that is, half-naked. Later on, she recognizes how much the city held’s, fashion, and
wealth as she longed for beauty and wore with her whole heart. Eventually, she starts purchasing
material things, including fancy clothes to become someone in the city, and as well develops a
sense of identity.
In her journey of self-expression and fulfillment, she learns the game of eating other
people ruthlessly despite consuming hers only. In this regard, the Chicago city becomes a
medium of display of material things as well as status. Besides, it becomes a center of
consumption. The town also alters her attitude and as well increases the desire for the
development of capitalist and materialistic identities.
Dreiser depicts Hurstwood’s life to preclude moralistic commentary. That point when he
steals money from Chicago’s employer hardens the query of moral agency. Here the readers can’t
pass any judgment.
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Despite acting with a purpose, Hurst wood could not bring him to serve with certainty.
Sister Carrie is an exemplary text that ultimately registers dynamism to provide a deep insight
into his historical period as well as a well-established background.
For comprehending the adverse effects of such alterations, her rebellion is decisive but a
quiet one. She decides for a second chance to go out and start working to find conventional
domestic women menial. What Dreiser points to as the start of a new order begins when Carrie
starts working and getting money while Hurstwood is doing the shopping bit of it. She is not
merely rebelling against her husband but more crucial against the role that women were
traditionally supposed to follow. As historian Barbara Welter vividly explains the nineteenthcentury ideal for the white middle class, the “True Woman” was expected to be pious, precise,
domiciliary, and remorseful. However, a competing a copy for femininity emerged in the U.S.
around the 1880s. The “New Woman” typically had a career and was economically independent.
Often New Women aligned themselves with members of their gender rather than in conventional
marriages. Carrie follows this pattern when, deserting Hurstwood, she pockets an excellent
earnings on stage and continues in with the more upbeat Lola Osborne.
Yet the classic New Woman was better elite and often more politically inclined than
Carrie. So we might best think of Dreiser’s heroine as a transitional figure, moving from the
Victorian model of True Woman toward the recognizably modern New Woman.
Change in the social position of either gender often creates a predicament for the other. This was
undoubtedly the case as the New Woman came on the scene, for she threatened men in ways her
mother never did. Hurstwood’s decline illustrates the conclusion of one historian that the
feminine revolt was creating tension and confusion and challenging the masculine model.
In conclusion, such a phenomenon is social Darwinism, whereby it’s a theory that utilizes
biological concepts of survival of the fittest and natural selection to sociology.
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Works Cited.
Baker, Carrie N. Fighting the US Youth Sex Trade: Gender, Race, and Politics. Cambridge
University Press, 2018.
Bolker, Jamie M. “Dreiser’s Paper and the Bureaucratization of Identity.” Book History 21.1
(2018): 317-342.
McKee, Adam R. “‘Kerist I wish I was a skyscraper’: John Dos Passos’ Manhattan Transfer,
skyscrapers and the predatory modern city.” Journal of Urban Cultural Studies 5.1
(2018): 53-71.
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An Outline on Research Based on Manhattan Transfer and Sister Carrie.
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A brief introduction.
The body.
Conclusion.
Works cited.

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